Tha Alkaholiks (E-Swift, J-Ro and Tash) are a
California-based Hip Hop group that was founded in the early 1990s. Mentored by the legendary King Tee, Tha
Alkaholiks released their debut album, “21 & Over”, in August of 1993 on
Loud Records. Tha Alkaholiks combine their hard but humorous liquor-inspired
lyrics with E-Swift’s head-knocking beats.
“21 & Over’s” stellar production also gets an assist from Lootpack
(Madlib, Kankick and DJ Romes), Derick “D. Pimp” Williams and also lists King
Tee as a co-producer on several of the tracks. Although only 10-tracks and just
short of 40 minutes in length, “21 & over” was a solid beginning to Tha
Alkaholiks’ impressive catalog.
*****Guest Request Sean (@bort_sampson_)
*****Guest Request Sean (@bort_sampson_)
***********
Chris: So let me first begin by telling you all about how I
first heard of Tha Alkaholiks. I was a freshman at West Mesa and I was eavesdropping
on two dudes arguing over who was better, Tupac or Tha Alkaholiks. Obviously, I
had heard of Tupac but I had never heard of Tha Alkaholiks. The dude that was campaigning
for Tha Liks was so passionate in pleading his case, I had to find out who
these dudes were!!
Sean: I don’t even remember who I found out about them. I
think I just happened to pick up “Likwidation” by chance and started vibing
with them.
Mike: I heard of them via Xzibit, “Call it what you wanna
call it”
Chris: So what was your guys’ impression of “21 & Over”
before listening to it recently? I was a big fan of this album back in the day.
I wouldn’t say it was my favorite Alkaholiks’ album but it was a great listen
and it’s where I first heard of Lootpack, my introduction to Madlib.
Mike: I was too young to really “get” the lyrical substance,
but I loved its sound. Before the revisit, I was scared I would think the party vibe schtick would be corny by my standards today. After re-listening though, I realized it's a fun album that should be glorified for its light subject matter. Not every album has to be "It Takes A Nation..."
Sean: I went in with a mostly blank slate, it had been many
years since I’ve listened to it.
Chris: Let’s talk about the production, what are your guys’
thoughts? E-Swift had most of the production but The Lootpack also produced two
tracks and Derick “D. Pimp” Williams had one as well.
Sean: One thing that struck me is how lo-fi some of the
tracks sound, which was something I didn’t recall. The beats are simple, in the sense they weren’t
layers with 5 levels, and not great mic pick-ups. Sounded kinda grainy and
removed. E-Swift definitely knew how to produce some fire beats.
Mike: Love the production. As Sean stated, it got a lo-fi
vibe which I love with album of this era.
E-Swift’s beats are what make this a golden age classic. He brought a
new style to the table. The album is really unique.
Chris: I agree with you, Sean. The one exception I would
offer would be “Turn The Party Out” which is kind of a mosaic of different sampled
elements in the Madlib style that we become accustomed to.
Tha Alkaholiks - "Turn The Party Out"
Chris: What songs were standouts for you guys?
Sean: “Only When I’m Drunk”, it worked for me because I think
that it sounded like being drunk feels, if that makes sense.
Chris: That definitely make sense! Haha I remember when we
would drive around listening to “Only When I’m Drunk”, taking turns rapping the
parts of J-Ro, Tash, E-Swift and King Tee
Sean: “I get drunk and I stumble to the phone” is an all-time
great first line!
Chris: Agreed!
Tha Alkaholiks - "Only When I'm Drunk"
Mike: “Last Call” is still my favorite. I still feel that it’s
a classic hip hop track.
Chris: “Last Call” is dope, Mike! A lot going on production
wise on that track as well. Did you pick up on the James Brown sample?
Tha Alkaholiks - "Last Call"
James Brown - "Big Payback"
Chris: What did you guys think about the lyricism?
Chris: Good points. Their styles are so different, but they
do complement each other very well. So what did you guys think of the album, now
versus back then?
Mike: With all the praise, we’ve given this album, it’s not
something I often think about giving a spin these days. Sonically, it’s a very well-crafted
album, just not the vibe I yearn to bump daily.
Sean: I agree, Mike. It’s a good album to put on to sit out
in a deck and chill but I’m not necessarily going to jam out to it in my car.
Chris: I still enjoy it as much as I did back then. The
beats make me wish I had more bass in more car!
No comments:
Post a Comment